Powering future

Month: April 2020

Sexy Rock Music – Top Sexy Songs by Trent Reznor (Nine Inch Nails)

Trent Reznor, the mastermind behind the industrial rock group Nine Inch Nails, is no stranger to the realm of the best songs in the sexy rock music genre. And if you asked anyone who’s stuck their head into the rock world for an iota of time, they might respond by saying that NIN’s “Closer” definitely deserves a spot on any top 10 list.

But what about Trent’s other bands / projects? What about How To Destroy Angels, the band he shares with his wife, Mariqueen, and his friend / collaborator Atticus Ross? What about your soundtracks, also co-composed by Ross? Their remixes / covers?

How about we dive into less mapped territory?

Here’s an example of a playlist that uses Trent Reznor’s sexy deep cuts:

1. All Time Low (Nine Inch Nails – Hesitation Marks)

Get the ball rolling with this strong mid-tempo funk song, which sounds a lot like “Closer” (Trent even inserts verses from “Closer” when he performs “All Time Low” live). Between Adrian Belew’s dissonant ’70s guitar, Pino Palladino’s staccato bass lines, and the drugged arpeggiator at the end of the song, this song takes you on a drunken sexual journey. Good way to start.

2. Get Down Make Love (Nine Inch Nails – Sin)

Heighten the angst a bit with Trent’s industrial version of Queen’s deep theme from “News of the World.” Produced by Ministry’s Al Jourgensen, Trent’s distorted voice makes him sound even more desperate and sexually frustrated, the complete opposite of Freddy Mercury’s confidence: “I’m the provider of all things sexual, now do what I say.” Trent’s opinion is more “Do what I tell you ???

3.27 Ghosts III (Nine Inch Nails – Ghosts I-IV)

Keep the distress and noise high. This super deep cut is an instrumental from a series of instrumental EPs called “Ghosts”. These EPs were the main reason David Fincher asked Trent and Atticus to score his films. Fincher would put “Ghosts” songs on the “The Social Network” soundtrack to test the feel of things, trying to hear what the difference would be between a darker score and a more upbeat Elvis Costello rock score.

4. Solo (El-P Remix) (Nine Inch Nails – Every day is exactly the same)

This halftime version of NIN’s hit single “Only” by hip hop artist El-P turns the original disco feel into a super sexually charged mix of sweaty beats / turntable effects. Technically Trent didn’t, specifically, but shut up. It is part of the Halo canon (Halos is the official Nine Inch Nails catalog system). This will totally work in your favor.

5. The loop closes (How to destroy angels – Welcome to oblivion)

An almost instrumental song, this melody unites electronics and exotic instrumentation, solidified by another “Closer” -like rhythm. A great song that uses upward dynamics throughout, starting soft, steadily climbing its way to the loud (and you should be climbing to your own loud) before unleashing its energy and resolving into blippy electronic pianissimo. It’s also great to hear Trent and his wife riffs together on vocals.

6. Reptile (Nine Inch Nails – The Downward Spiral)

A classic NIN song from a classic album, but a deep cut nonetheless. Trent is totally in his element of sexual loss and frustration. It takes things a little darker (which, considering everything on this playlist is dark, is saying something).

7. Closer (Forerunner) (Nine Inch Nails – Closer to God)

I know I said we would stay in more uncharted territory, so why does “Closer” appear? Play. BUT this is a remix made by Coil. If you’ve seen the opening credits for “Se7en” (from the aforementioned David Fincher, no less), then you’ve heard this great version of NIN’s biggest single. It’s dirty, muddy, long, and has a slightly more haunting feel than the original.

8. A familiar taste (Trent Reznor and Atticus Ross – The Social Network)

This song is a revised and modified version of a song from the Nine Inch Nails “Ghosts” collection. But I like this version better. In the movie, “The Social Network,” it is played while Mark Zuckerberg is imagining what happens at all the frat parties he would like to attend when young college girls are invited out for a night of drunken sex revelry. This song is a nice warm top for the next track on the list …

9. Container (Nine Inch Nails – Year Zero)

I love this track. This truly rivals “Closer’s” reign of NIN’s sexiest song of all time. This vibrant, throbbing cartilage is ideal for the most violent sexual rompers out there. The noise, the beeps, the rhythm: it’s perfect.

10. Consummation (Trent Reznor and Atticus Ross – Gone Girl)

This is dark. The darkest on the list. And it’s the latter for a reason. I won’t say what happens in the movie “Gone Girl”, but this song takes place during its most moving and violent scene. I would use this song to bring the climax when it comes to your playlist. The slow pulse, the rising cacophony (it looks like your speakers are being smashed) all lend themselves to the perfect ending (read: orgasm) to your ten-song Trent Reznor sex festival.

*** 11. Sugar Storm (Reprise) (Trent Reznor and Atticus Ross – Gone Girl)
As a bonus, use this song as you go down. It is short but pleasant to listen to. It also has the perfect leading key ending, a big cherry on top of everything you just heard. ***

If you liked this list, check out another example of a sexy rock music playlist I’ve compiled that doesn’t just use Nine Inch Nails to full effect:


But yes, “Closer” might appear near the end.

Bane of the Dwarves (Eldritch & Eerie Poetry)

Throughout the Seventh Hell, a hypermorbid
-Natural habitat, human remains
live with a slow plant life,
sharing each other’s parts in sub-animal
thought and activity: with seagull and audacity
in a heap of anomalous horticulture
of vileness and iniquities.

All parts are boredom: forked with ears and tongues,
Noses, murmurs, swings and trunks; to a spectator
this world would be thaumaturgy, for
its wonderful rarity, beyond redemption.

Within this loamy furrow bagged unburied,
In his oubliettes, devil like dwarves do
its plant and corpse graft and even
living human organizations, gathering
parts of fetus-sanguineous-found in graves, bought
in practices, clinics; one to another suture,
amid foul smells and garbage.

Deep in the seventh hell, deep in its arcane
grotto, resides the syrinx-the jinn
of all, once a river nymph, transformed into
a reed, and the reed in pieces of
decreasing lengths, joined with wax,
his bark-encrusted skin, his teeth
scholarly and pointed, forked. Reptilian tongue.
Head like a fairy, wings like a bat
seductive dwarfs, who suck the
Yellowish-red ichor, as if from the
the old men, the Titans, cursed in the plants,
taken out forming incisions,
in human torsos or stems from a hard wound.

Beneath this frank bag of earth, the
lair of the demon dwarf in boredom, wait for the
immense new surface emergence
devilish new age. The age of
seething fear, pandemonium, of debauchery
threats, no longer happy, hostile
her hair, waiting, waiting … to
enter the surface, waiting ten thousand
years. His dwarf demonic eyes spin in sockets
of bent pleasures to be, still bored with
She stands, her muscles knotted from the porch
inside his lair; but all with devilishly firmness.

So they wait, the last long night, the
last minute, halfway between the cobra activation,
and a door closed behind them to drag
the muffled tribulation of mankind.

Arms dangling like apes, almost touching the
earth, waiting for man to become bitter with God and
for God’s last break with humanity
as is, therefore they are ready for your
victims. Those who have cursed the will of God,
closed heart, indifferent to man,
but they are loaded with cats and dogs
and do not hold emotions for your neighbors:
mestizos and mutts among men; for politicians
They’ve got the rusted coffin hinge, ready.

“They will fall like the fall of gargoyles
from a cathedral “whispers the chief dwarf
demon, to the barking Syrinx inlay,
who will lead the dwarves out of the fleapit
of the marl of the Seventh Hell, for the condemnation of the earth.

And now he screams: “We come, we come with
our hot frenzied breath of crimson
hell, from our hell-born labyrinth! ”
You are no longer bored, hesitant, or doubtful.
Kill or be killed, with increasing heat, growing!
Arboreal, meat and stem masquerade:
of demon and mythological goddess.
Human offspring hid behind leaves, cloaks.
They change shape like instant delusions.

The undecorate disappearance of the syrinx

The Syrinx, with wasteful dread to spill
on the human race, its repulsive
I hate all mankind, she threatened
the world that would listen, its cruel with
demand, take the devil’s promise
of the mark of 666 (the mark of
the Beast, and Satan being so
metamorphosis, like Syrinx
transubstantiation, or transgenic …)
save, if not, just to be destined
little by little, to a desperate life and lack.

And a temple of ghoul gods was built.
On an idle stroll, he strolled through his marble
stone floors, celebrated their rituals and worship: and
thus came the priesthood of the dwarf demons that
had introduced much sadness into humanity in
his name: the food supplier of the
Titan gods, from long ago. However, she too
was an impersonal force similar to the
elements, of the supernatural, cosmos;
therefore subject to dark ebony ambiguities.

Nobody knew the way of its evaporation;
possibly his death, his execution-
Perhaps, brought to an even lower order
of subterranean terrestrial entities,
by Satan for his blasphemies in the temple. AND
thus fed and lived with the dead devourers.

It is not simply heresy, but truth, not a mere
hieratic invention, that once you join Satan
a lot, wants rivals, and therefore the livid
Syrinx, he must have forgotten, he was unauthorized
with satanic pious reprobation, by Lucifer.
She had not formed any conscious plan to do
in a hurry but dared to acknowledge her bindings
for lack of inhabited worship and fame.

# 5250 / 5-26 and 27-2016